With performance by Microgig starting at 8:00 p.m.
In the introduction of The Book of Tea, Okakura Kakuzo speaks of “moral geometry” to explain how ‘The Philosophy of Tea,” or “Teaism,” embodies Eastern ideals related to purity, simplicity, and a sense of proportion to nature and the cosmos. “Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence,” says Kakuzo.
Moral Geometry makes sense out of the “sordid facts” of the quotidian: repetition, waste and consumption. Using the components of over 1600 teabags donated by friends and acquaintances, Georgina Valverde creates a body of work exploring the potential for repeated small actions to manifest form, beauty and meaning.
The centerpiece of Moral Geometry is a small building titled Teacage based on the Wardian case, a precursor of the modern terrarium. Working for the British East India Company in 1848, Robert Fortune used Wardian cases to smuggle 20,000 tea plants from Shanghai to start the first plantations in Assam, India. Teacage is a flexible structure that can be broken down into a series of screens or space dividers. As such, Teacage is a forum for performance, workshops and social encounters. The first event is a performance by Microgig. Other events will be announced.
Georgina Valverde was born in Mexico City in 1962. She has a BFA, 1987, in Painting and Printmaking and a BA, 1987, in Modern Languages from James Madison University, Va., and an MFA, 2003, from the University of Illinois at Chicago. Georgina’s work has been most recently featured at the Centro Jaime Sabines in Tuxtla Gutiérrez and the Museo de Arte Contemporáneo de Tamaulipas, México, the University of Texas Pan-American, Edinburg, and the Hyde Park Art Center in Chicago. Her work has also been exhibited at the former Bodybuilder & Sportsman Gallery and the Museum of Contemporary Art in Chicago, the Palm Beach Institute of Contemporary Art and the Cullacht Residency program at the Galway City Arts Center, Ireland among other venues.
This project is partially supported by a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and the Illinois Arts Council, a state agency.
Also this month's Project Wall Space: Chris Wood
The project, Recomposition, is the culmination of a five year long process. The first four years involved building the collection. It started off rather casual, but became more serious as time went on. The very initial collecting of the foods happened more out of a general aloofness toward the state of my refrigerator, but soon developed into a curiosity: What will grow next? Why are these milks aging differently? Hummus... really? In time, I grew attached to certain items of interest and refused to part with them, even at the prodding of friends, roommates and those who helped move them to a new apartment. Though the final product carries with it a touch of absurdity, it is an earnest representation of a set of objects I find interest in, particularly when viewed as a set. Through documentation and presentation, the characters are presented in a slightly more permanent, though still liminal condition.
Chris Wood, a native of Pittsburgh, earned a BFA in Illustration from the University of Dayton in 2001 and an MFA in Painting from Northern Illinois University in 2005. His work has appeared in solo and group exhibitions nationally. Currently he lives and works in Chicago, where he runs his studio and teaches at the Illinois Institute of Art Chicago. His recent work uses a diverse range of materials, from graphite, charcoal and acrylic to digital, photography, foil and food.
Opening Friday December 4, from 6pm-10pm
December 4 - January 2, 2010
1765 S. Laflin St.
Chicago IL 60608
antenapilsen (at) gmail.com
Hours: by appointment only